That Floating Poo Was Far Too Symbolic! It's the TV Disappointments of the Year.

As we consider the television offerings of the recent year, a handful of series emerge not for their excellence, but for their notable failures. Ranging from awkward sequels to confusingly poor docuseries, here are the productions that left us utterly bewildered or just reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Burdened with woeful writing, painful arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to find its footing. For a moment, as the third series began, it looked like it had at last hit its stride. Then came an installment centered on Seema’s natural deodorant. No wonder the showrunner announced this would be the final series. It ended on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Yet, fans certainly had a hoot picking apart every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't let out a small sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this drama's issues. The subject of a very rare zero star assessment, it was difficult to know where to start enumerating the problems. The laughably wooden dialogue? The mind-numbing veneration of wealth and consumption? The seemingly deliberate procession of cliches? Acting so bad they felt almost spiteful? Let’s just say “each and every one” and forget about this series again. Except, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, domestic violence claims and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have known it from this three-part documentary which chuckled along at Sheen’s various episodes of self-destructive hedonism while failing to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any pity this show might induce should be reserved for the people who have had to endure close contact with this charismatic but dismissive egotist.

The Iris Affair

Of course we understood it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Shady figures meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate baffling accents. But there were many other issues. Mainly that it was just really dull; a dispute over narcotics territory between various London rogues which felt rather simplistic.

The Meghan Markle Series

Given the extent to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as intentional provocations. But then you view them and are forced to concede that actually, they may have a point. It’s like watching a lifestyle magazine animated; a poster for evening drinks with ideas of grandeur; a procession of sleeping dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All underpinned by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be discussed about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for some reason, this three-part series chose not to explore them. Instead, the viewing was like consuming a marketing catalogue. She clearly has good reason to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this cagey letdown of a series.

The Game Show

It had the potential to be the next big hit – except even more extravagant, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her inheritance. What more could you want? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to detail what exactly was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up reeking of a production that was trying way too hard to live up to something way beyond it.

Too Much

How does one succeed a show that captured a generation? The pressure was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic notions. But it was all very slick and, paradoxically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd inclusion of talented younger comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a single joke stretched to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply provoked the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be treated with care. Instead, the series struggled painfully to find the right voice, lumbering from strangely jaunty, slightly mannered farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so smart he’s on the verge of a breakthrough that could ruin society? Nope! This international thriller about secret services spying on – and eliminating – intellectuals honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator renowned for sexual exploits as she undertook her biggest challenge yet. What on earth would motivate her? What we craved was far greater interrogation of her actual psychology, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to haul her son out of the queue. What we got was disturbing shots and zero critical analysis of her infamy whatsoever. And to think, the filmmaker has a young daughter too.

Kevin Ryan
Kevin Ryan

A jewelry historian and curator specializing in silver craftsmanship and luxury accessories, with over a decade of industry experience.